
Tips
for Photographing
The Albuquerque International Balloon Fiesta
The Albuquerque Balloon Fiesta is one of the
grandest spectacles anywhere and one of the most photographed.
The least sophisticated amateurs and the most seasoned professionals are
regularly beguiled by its epic size and splendor.
The Albuquerque portion of our new "The Best of New
Mexico" virtual tour CD includes these tips and much more!
TIP: Point-and-shoot film cameras or simple digital cameras with limited
zoom can take spectacular pictures.
TIP: In general, the most important rule is to have lots more film or
digital storage than you ever think you’ll need; include spare batteries
as well. It is a sure bet that you’ll start taking pictures before the
sky brightens to the electric blue that New Mexico is famous for, and
running out of film/storage is one of the biggest problems a
photographer can face at this event.
TIP: Choose large rolls of film (36 shots instead of 24) because
changing film on the balloon field is burdensome. (We use 512 MB
storage cards in our small digital cameras and a 2 gigabyte micro drive
in our SLR.)
TIP: Compose your pictures so that there is room on the edges for
framing and cropping. This is particularly important if you’re using a
digital camera.
Digital cameras (except for pricey digital SLR cameras) take
pictures with an aspect ratio of 4 wide to 3 high. Since most prints
are 6 inches by 4 inches (an aspect ratio of 3 to 2), some of the top or
the bottom of the picture will be cut off. If your print’s most
important features are to be at the very top, leave extra room down
below for easy cropping.

TIP: If you’re with a group, resolve to share your photographs;
you’ll see many balloons that aren’t easily photographed from your
location, but a friend may have just the right opportunity.
Tips for Fiesta Field

TIP: In the early going, take pictures of the crowd and interesting
balloons as they are being inflated, instead of balloons against a gray
sky.
TIP: Take lots of pictures from different angles and vantage points.

TIP: Take some real close-up shots. Try to capture the excitement,
the “color” of the Fiesta. It only takes a moment to step in close for
the perfect detail shot.
TIP: Try to wait until the sky has gotten good color. It’s hard, but
there are 700 balloons going up and the opportunities for photographs
abound.

TIP: Try to take close-up photographs of 1, 2, 3 or more balloons.
(Attempting to put as many balloons as possible into one shot only
results in pictures of tiny dots against a blue sky.)
TIP: Remember that the sun comes up over the mountains on the east
side of the field – try to keep the “midway” at your back to prevent
shooting into the sun. Reason: The sun is so bright that if the sun is
in front of you, the camera sees the sun and not your subject. Keep the
sun behind you for the brightest, most brilliant colors.
TIP: Wait until the balloons are high in the sky before going to
take pictures of the midway. The souvenir stands, food emporia and the
crafts exhibits will still be there after the fun of the mass ascension
is complete.
Low Light
There are three low-light or night photo events at the Balloon Fiesta.
The first is the early morning “Dawn Patrol”; the second, the “Glow” in
the early evening; and the third, the spectacular Fireworks display
following the “Glow.” If you are not experienced in low-light
photography, you’ll get advice that covers the spectrum of possibilities
about how to take pictures. Here’s ours.
TIP: Bring a flashlight. It is impossible to change your camera settings
on the balloon field in the early morning/at night without a flashlight.
You’ll especially need a light during the fireworks because people sit
down all over the field, and it’s hard to keep from stepping on them if
you change your vantage point in the course of the show.
TIP: Bring your tripod and cable release. They are a must for all of the
low-light events and there is room for you to set them up. Opportunities
to brace the camera on a stable object in lieu of using a tripod are
rare.
TIP: Use very high speed film or the highest ISO your digital camera
provides. Noise is not your enemy here, it’s blurred images due to
camera shake.
TIP: Set the aperture to the widest opening your lens allows and let the
camera decide the shutter speed.

TIP: The fireworks are the hardest to photograph because the shutter
speed will be so very long. Set up your tripod and aim at the spot where
most of the rockets explode – then shoot at will.
Your shots will have an absolutely black background – so even though you
can’t extract the explosions, you can cut them out and paste them to
make great composites.
TIP: The fireworks are set off at the north end of the field. Picking a
spot about halfway down the field and toward the middle gives the best
vantage point. The fireworks people also surprise you with a wonderful
rocket display at the west side of the field as part of the finale – be
ready.
Advanced Photographers
Today, many professionals and talented amateurs are
using digital SLRs and processing their pictures using Photoshop or
other digital imaging software. Even die-hard film camera buffs
regularly digitize their photos and manipulate them in the computer. The
Balloon Fiesta is a bonanza for anyone using advanced techniques. If you
are serious about getting the best shots, organization is the key.
TIP: We have found that the best lens for this event is a 28/80 zoom. It
is usually a fast, relatively light zoom and has plenty of range for
framing photographs in this environment. There are not many
opportunities to use really long lenses because it’s hard to steady them
without a tripod. Tripods are difficult to use during the “Mass
Ascensions” because of the crowds unless you are an accredited
professional with access to restricted vantage points.

TIP: Buy a Balloon Fiesta program and choose the balloons that you would
most like to photograph. Each of the balloons is assigned a specific
space on the field for the duration of the Balloon Fiesta, so locating
any balloon is easy once you know the system. The entire mass ascension
is carefully choreographed and there’s plenty of time to take gorgeous
shots of individual balloons or groups of balloons as they go up.
TIP: The clear blue sky and well defined edges of the colorful balloons
make the job of extracting individual balloons or groups of balloons
relatively easy using Photoshop or another photo manipulating program.
You can then make wonderful composite pictures and produce prints not
possible in reality.
TIP: Wait until there are very large numbers of balloons aloft to take
some “background” shots to use in making your composites.